Having a Blast

So I took Anne R. Allen at her word and started taking steps toward e-publishing my short stories. Except that turned out to be a bit more complicated than just uploading one of my files to Amazon.

Okay, Amazon provides a nifty publication called Publish on Amazon Kindle with Kindle Direct Publishing. So I downloaded it.

Turns out it recommends that I convert my Word documents to HTML.

Well, I’m figuring out how to do that. There are even some publications about that on Amazon (yeah, a little bit of money, but hey.)

Then there is cover art. I must be a visual artist manqué because I can’t believe how much fun I’m having conceptualizing what to do. Though I still am not sure how to upload it to Kindle.

Soon come. Someone or something will surely tell me how to do that.

And I remain enthralled with visions of my stories being Kindled.

Yeah, but there are more than a few personal details to resolve.

Those will be hammered out too.

But, by now, I have figured out that doing this is not as easy as adding an attachment to an email.

Never mind. I just postpone the startup date to give me a chance to move up the learning curve. I have even outlined all the steps to address before the target date.

And I’m still excited! Thank you, Anne.

I think.

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UPDATE: For a story-length document, using HTML is apparently not absolutely necessary. Uploading a .doc file may suffice.

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Variations on a Theme Anthology is Available!

The Literary Lab's Variations on a Theme Anthology includes my short story "The Barcelona Chairs." The anthology is now available on Amazon.com. Here is an excerpt from The Literary Lab’s full announcement:

Get it while it's hot! Literally hot! Variations on a Theme has gone live on Amazon.




Sorry, but the anthology is not available for Kindle or any other ebook format. We've decided to take the Kindle version down for Notes From Underground as well. Why? Mainly because the Kindle versions never really sold and it's a lot of work to format those manuscripts just for a few sales. So print only! Makes them more special if you ask me!

And trust me, if you're a fan of The Literary Lab, you want this anthology, and probably all three of them. I won't say why yet, but you do!

Go purchase your copies now. It's a beautiful, exciting, and entertaining anthology. I can't wait to get my final copy!

Also, it should be noted that Notes From Underground has been reformatted. We fixed a name spelling and made the text a bit bigger (it was just a bit small before). It's still the same price as it was before. All three anthologies are $8.56 each. We feel this is a pretty reasonable price for a nice print book.

THANK YOU, EVERYONE, FOR YOUR SUPPORT OF THE LITERARY LAB. None of these anthologies would have been possible without you!

Variations on a Theme is our third anthology. This year, we asked writers to create work inspired by one of two stories: "The Tinderbox," a classic fairy tale, or "The Huntsman," by Anton Chekhov. The result is a wonderful, tight collection of magical stories.

Purchase Variations on a Theme PAPERBACK COPIES through Amazon
$8.56 each.

click here

As for me, I just ordered the anthology and can’t wait to read it. I am sure my story “The Barcelona Chairs” will be in great company.

Are Those Characters Real?

What is it that happens when characters become like real people to a writer? Is it a worrisome sign of psychological disorder?

I don’t know. All I know is that I generally don’t feel that I’m writing effectively until a character starts “talking” to me. I’ll be about to fall asleep, and I’ll “hear” a voice that says, “You forgot to mention how I felt when Agnes died.” “Or Juana eloped.” Or some other character detail which had never occurred to me but which turns out to be critical for understanding my character’s emotional and psychological makeup; if not, his timeline.

Now I could go all spooky on you and talk about how my grandmother was a medium and maybe all I’m doing is channeling dead spirits. Okay, guffaw, all you want. The point is that this is a mysterious process. We are all readers, as well as writers. As readers, some of us develop strong bonds with fictional characters which defy rational explanation. I wonder if that could happen if the author herself had not developed a lifelike bond with her character.

Do any of my fellow writers have this experience?

Today I Purged

Today I purged nearly twenty years of background notes, drafts, and other miscellanea for my unpublished writing. At first, I tried to be highly selective, but faced with leaning piles of files, I became merciless.

It occurred to me as I was shredding that I was releasing early dreams of publishing glory. Of course, my manuscripts in final draft still exist, both in electronic and in paper form. But the fancies I had woven as I wrote my fictional “masterpieces” lay collapsed under mounds of shredded paper.

Ironically, with the advent of electronic media, publishing has never been more accessible. After a modest amount of polishing, I could simply upload all my manuscripts and they would be instantly available to all. And I may still do that. I just do not seem to be moved to do that right now.

Today may, in the end, prove to be inconsequential. Years hence, I may scarcely be moved by the memory of releasing so much of me, as expressed through my writing. I don’t know. I just know that today I purged and while I feel lightened I also feel saddened.

The Literary Lab "Variations on a Theme" Anthology Winners!

The Literary Lab just announced the winners to be included in their anticipated anthology, “Variations on a Theme.” My short story “The Barcelona Chairs” is among those chosen for publication.

Participants had been asked to use as inspiration one of two short stories, Chekhov’s “The Huntsman” or Hans Christian Anderson’s “The Tinderbox.” I used Chekhov’s tale of an abandoned wife to inspire me to create a contemporary version of a marriage cleft by abandonment.

I salute the two prize winners, Yat-Yee Chong and Judy Croome. I also congratulate the other authors whose stories will be included in the anthology, currently slated for publication in mid-March. I eagerly anticipate reading their short stories. I am sure my story will be in great company.

The Literary Lab trio of Michelle Davidson Argyle, Davin Malasarn, and Scott G. F. Bailey deserve high praise for sponsoring this anthology. I can only imagine the hard work involved in reading and then selecting winners from among all the worthy entries. As I told them, “Thank you for making me soar.” I thank them for choosing my story and for promoting the art of literary writing. May they reap ample rewards from their efforts.

As soon as publication details emerge, I will share them with you.

Auditions and Resilience

Last I checked, I am not an actor. But I feel like one auditioning for a role whenever I submit a short story to a review or a query letter to an agent. There must be common ground here—the hope at submission, the exhilaration of acceptance, the plummet at rejection. That’s not even mentioning how stacked the odds are against admission to the club. Honestly, I have to acknowledge the courage of actors who do this in person. If I had to do that, I might never submit my work.

But submit I do. You should see the size of my Excel worksheet which tracks the history of my submissions over the years. It ain’t small, let’s just say. It might never have reached that size, though, if along the way I had not received acknowledgement that my writing has merit. Twelve of my stories have been published. Two of my novels, though not published, received recognition. Cruel carrot or not, this whets my willingness to keep going.

It may sound cheesy, but I am grateful for the opportunity to focus on something imbued with possibility. It makes other more intractable issues in my life appear less overwhelming. So, in the last two months, I have sent out thirteen stories to roughly sixty literary reviews. I started crafting my query letter and synopsis for my latest completed novel. To date, three of my stories have been accepted for publication. Hope reigns strong that the other stories and my novel will find homes, too.

Here is what I also know about this writing thing. I can’t not write. Writing feels as essential to me as breathing. As for getting my work out into the public arena, I follow the intention of a poem I once wrote.

One thing I do know.
Giving up beforehand means
guaranteed defeat.

So the stories, novels, and poems will continue to emerge from my production line. Their fate in the vast distribution channel of publishing is another thing altogether.