For Whom Does the Writer Write?

“For whom does the writer write?
… for … anyone at all …
because the act of reading is just as singular
… as the act of writing.”

Margaret Atwood
Negotiating with the Dead: A Writer on Writing

After my previous post about Dante, I wondered if I had been self indulgent in writing about my personal experience with Dante. Then, thanks to Ann Victor, who had suggested Atwood’s book, I found peace. I am the singular writer that I am. You are the singular reader that you are. Sometimes our respective singularities will resonate. Sometimes they won’t. Thank you all the same for being potential readers willing to receive my letters from the cyber postal carrier.

Where in Dante’s Nine Circles of Hell Do My Characters Reside?

This all started because I had to read Dante’s Inferno for a class. As I grumbled through page after page describing Hell in agonizing detail, I asked myself how I could possibly benefit from such torture. A priest might say, “Sin no more!” I—you guessed it—wrote this post instead. In asking you to read this, I may be committing a violent sin against your person, one of the worst sins in Dante’s ranking. If so, I apologize. Here’s the potential upside for the writers among you. Like me, you might glean from Dante insights about character development. I suppose I could have used other criteria such as Catholic Sins and Virtues, Enneagram analysis, etc. but this post is about using Dante to analyze my characters. I’d love to hear about any analytical paradigm you use.

My title question seems to assume that my characters are in Hell. Does this mean I only write about characters with hellish characteristics? Hybrid secularist/spiritual person that I am, I sidestep this issue and state that outside of Heaven and Hell, whether divinely or humanly inspired, we all probably embrace aspects of both. Dante’s Inferno does an interesting job, though, of ranking human foibles or, as he calls them, sins. In so doing, he provides a potentially useful template for evaluating fictional characters and for examining whether as a writer one tends toward one type of character versus another.

First, a brief overview of Dante’s nine circles of Hell. From bad to worse, they are:

Upper Hell. The Self Indulgent
o 1st – Virtuous Pagans
o 2nd – Lustful
o 3rd – Gluttons
o 4th – Hoarders and Spendthrifts
o 5th – Wrathful and Slothful

Lower Hell. Violent and Malicious Sinners
o 6th – Violence toward God – heretics et al.
o 7th – Violence toward self and others – suicides, war makers et al.
o 8th – Malice through “simple” fraud – hypocrites, thieves et al.
o 9th – Malice through “compound” fraud– traitors against kin, country et al.

Interesting patterns emerged from my analysis to determine which Inferno characteristic(s) my fictional characters represented.

· All but two characters embody characteristics representative of more than one circle of Hell.

· Characters in my first novel seem to gravitate toward opposite ends of the spectrum.

· My favorite novel is equally represented in all circles of Hell.

· Among all novels, I have the greatest preponderance in Circles 6-7, Violence against God, self, and others; with Circle 1, Virtuous Pagans, coming in a distant second place. That could mean that the struggle between virtue and violence engages me more than any other, and that violence wins. Or it could simply reflect that my novels deal with spiritual/religious struggles, which may result in violence against God, self and others. In my characters’ efforts to understand and integrate spirituality into their lives, they sometimes engage in self-destructive or aggressive behavior.

· In each of my novels, I have at least one character that tends toward violence and another toward virtue.

· The smallest representation is in Circles 3, gluttons; and 5, wrathful and slothful. Does that reflect a personal predisposition toward ascetism and/or moderation?

· Even though Upper Hell has five circles, it has less representation in my characters than the more hellish Lower Hell which only has four circles. Does that mean that when they’re in Hell, my characters are really in Hell?

It was a surprisingly fascinating exercise to use Dante to analyze my characters. I will not change my novels retrospectively, but I plan to use the Dante test on future writing projects. On this life journey I call a pilgrimage, perhaps that test might even help me personally.