multicultural
does not describe me fully
it is where to start



Showing posts with label Rev. Miguel Angel Mercado. Show all posts
Showing posts with label Rev. Miguel Angel Mercado. Show all posts

Sunday, June 19, 2011

Saturday, March 26, 2011

A Storyteller's Worth


Writing a novel is a marathon. It starts out as an energetic and optimistic activity. Predictably for me, though, at about the three-quarter mark, a shift occurs. After writing again and again about the same characters, I am tempted to throw the lot out the window. At this point in a work-in-progress novel, it is superbly easy for me to generate a long list of what is wrong my writing. Completing the novel becomes a more daunting task than what has already been accomplished. The ignominy of not finishing is experienced daily.

Luckily for me, in this latest novel project, when I have been ready to quit, I received metaphorical refreshing drinks and pep talks. It started with the news that another of my short stories had been accepted by a literary review, which goes a long way toward renewing my faith in my writing abilities. When an editor says, I like your story enough to publish it, I am reminded that, at least in moments, I can write well. Parenthetically, when this story is published later this year, I will provide the link in a blog post.

The other refreshing drink and pep talk came from a surprising source, my late father. No, I’m not talking about séance-like contact. Instead, recently, I had the privilege of compiling an anthology of his essays, poems, and sermons which allowed me to hear his “voice” again. It was another soft landing to calm my jitters. It reminded me that writing, even if vastly different in content, is the family business, and I am doing exactly what I was born to do.

Then, I received the first installment of surveys being carried out about my dad's legacy. All the living members of the church my gentle, wise, and humble father pastored for thirty-three years have been queried. The project leader said, “The stories are pouring in. Many hand in their questionnaires with tears in their eyes.” While reading the questionnaire results, I was struck by how my father’s written and spoken words sustain a living quality. Words matter, I concluded. The role of the storyteller is essential to the human psyche.

So I pick up my banner as storyteller and know it is not a frivolous undertaking. I embark on the final quarter of my novel, renewed in my commitment to make my words matter. Because, if I write the story well, they will matter.

Saturday, October 23, 2010

A Graceful, Wise, and Humble Man



A young woman new to the country shows up crying at the front door of the minister’s house. Her husband has abandoned her penniless and with a newborn child. She is invited to stay until a solution can be found.

A meeting among ministers goes on endlessly. Words are heated. A man who has been seated quietly says, “Here is another way to look at this.” The room grows silent. The matter is soon resolved.

These are just two of the many stories people love to tell about my late father, Rev. Miguel Angel Mercado.




This weekend, his church is dedicating its new library, which it is naming the Mercado Library. In today’s mega-church environment, that a church of modest means establishes a library and names it after someone already deceased is hardly media-worthy news. That it is my father who is honored is also of minimal interest, even for followers of this blog. Why then do I write about it here?

When I received the email informing me of the dedication ceremony, I was thrilled, of course. It’s my dad after all. Then I reflected on how amazing it is that almost 23 years after his death, my father still has such a sentimental hold on members of his church. He was their minister for 33 years, yes, but enough time has passed by that a sizeable portion of the current membership never knew him. Those new members, though, may have heard so much about him that they feel as if they knew him.

That the stories are retold at every opportunity is perhaps not surprising. For a man who was unassuming to a fault, his influence is still felt far and wide. From his modestly sized church emerged thirty-three ministers who went on to lead congregations across national borders. Indeed, I sometimes regret that I was born with a deaf ear when it came to his particular religious beliefs. I wish my eyes could also light up and my smile become dewy whenever I hear what an amazing man of God my father was. When thinking of my father, my eyes and smile will do the same, but only because I remember what an incredibly gentle, wise, and humble man he was.

Perhaps it all comes down to the same thing. Maybe, like all politics being local, all religion is ultimately personal. Others’ memories of my father may be couched in religious terms, but his impact was essentially personal. And I am in awe of anyone who can have such a lasting influence on people that, long after he is gone, others are eager to share their recollections about him. More importantly, their current lives are elevated through the recollection. That is a service of the highest order.

And that is why I write about him in the installment usually dedicated to discussing religion. His religious beliefs were not mine, but in the end he helped me keep an open mind about why religion matters to people and how it can have a positive impact on their lives. Nurtured by my father’s example, I am also led to ask on an ongoing basis how I can live a life of meaning and of service.

To read my remarks at the dedication ceremony, I invite you to visit my other blog. Though my remarks were delivered in Spanish, I have provided an English translation. In any event, thank you for allowing me to share this with you.

Saturday, August 21, 2010

It’s Been Quite a Year


My Pilgrim Soul adventure started August of last year with a post about the similarities between authors Chinua Achebe, Ron Rash, and, I hoped, one of my novels. To my delight, blogging introduced me to a richly rewarding online community. What's more, for the first time the publishing decision about my writing was, for better or worse, entirely mine. Wow, what a privilege.

So here’s a great big thank you to those who have been with me on my pilgrimage as it evolved from focusing solely on my fiction to embracing broader issues of culture, religion, writing craft, and heroism. Because most of you were not here at the beginning, I am sharing an updated version of one of my earliest posts:

“How the Rediscovery of My Father’s Words Led to My Writing Fiction.”

The first novel I ever wrote was birthed in a time of great upheaval in my life. I had walked away from my business career the year before. My marriage had ended. My father died soon after. In retrospect, it is not surprising that I might try something new like writing fiction. How it actually happened though still astounds me.

After my father's death, I began transcribing his poetry, essays, and sermons to distribute to family and friends. It was challenging work for several reasons. Many of the audio tapes were of abysmal quality. Despite that, his familiar voice still rose above the scratchiness, and I grieved that I would never again hear him speak directly to me. More than once, I almost abandoned the project, convinced I was only prolonging my grieving.

As if that weren’t already challenging enough, my father’s sermons were all in Spanish, no longer my primary language. I found myself rummaging through his huge unabridged dictionary, trying to find words no one used in ordinary language. At least I never heard them. It was often frustrating as I was never sure I had heard a word correctly, given the sometimes awful quality of the tapes.

Several months later, having listened to the final tape and transcribed the last sermon, I sent out the material to family and friends. That was when I realized that, instead of prolonging my grieving process, my transcription project had actually eased my transition into a world in which I could no longer pick up the phone to talk to my dad.

That was not the only surprise. I woke up one morning with the lines of an unfamiliar Spanish poem swirling in my head. I wrote down the poem and, for the next few months, found myself writing poetry in Spanish, something I’d never done before. And, no, I’ve not looked at those poems recently. I’d rather keep alive the memory of how magical a time writing those poems was rather than think about editing.

The period of writing poems in Spanish lasted about half a year. One morning, as surprising as when it first appeared, the impulse to write poetry vanished. Soon after, though, I found myself, again, waking up with material sloshing in my brain that seemed to want to be written down. That turned out to be the beginning of a novel. And for the first time in my adult life, I felt I was exactly where I should be, writing fiction.

In the years since, my writing craft has improved, and I have come to appreciate how the hard work of creating a novel or story involves taking that initial magical spark of inspiration and, through dogged hard work, transforming it into something in which story, characters, dialogue, conflict, and style cohere. I wonder, though, if any of my subsequent novels and short stories would have been written had I not undertaken transcribing my father’s work.

***

Thank you, papi, for your marvelous gift of prompting me to write fiction. Thank you, readers, for sharing my pilgrimage over the last year.

Saturday, May 8, 2010

A Father's Poem


My father wrote me a poem for my second birthday. He was living in the U.S., far from our sleepy Puerto Rican village, and he mailed the poem to my mother so she could read it to me. The poem exceeded the comprehension of a two-year-old, but the tattered letter became something I resurrected over the years on my birthday.

Originally, I had no intention of posting that poem. After three attempts at writing a post for today, though, nothing seemed particularly appropriate or ready or something. I was about to forgo posting anything new on the 8th when I recalled my father’s poem. Since today is my birthday, I decided to post the poem.

So here it is; first, in the original Spanish; and, second, as translated by me. Poetry is notoriously difficult to translate and furthermore I am not a professional translator so the English product is a mere glimmer of the Spanish original. If anyone has suggestions for improved translation, please leave them in the comments section. I thank you in advance.

You may scroll down for the English translation.



En el día de tu cumpleaños

En el límpido cielo de tu día
un reflejo auroral te está besando.
¡La natura se viste de alegría!
¡Todo parece estar en armonía!
al saludar tu alegre cumpleaños.

Todo ante ti es piélago de ensueños
donde te irradia el sol de Puerto Rico.
¡Todo recibe inspiración del cielo!
Mi lira de cantor en raudo vuelo
llega hasta ti para cantarte un himno.

Hoy, cumples dos abriles ¡qué dichosa!
Dos años que se van … nunca ellos vuelven,
pero dejan en mí la bella historia
de los primeros lampos de tu gloria,
que al celebrar tu día resplandecen.

¡Oh mi Judith! ¡mi cariñosa hijita!
remanso en que se borra mi amargura;
ese aliento, que en Lares tú respiras,
de allá viene a confrontar mi vida,
pues yo siento al respirarlo tu frescura.

Ya que en mi suerte deparó el destino
que en tu día besarte yo no pueda,
oraré con fervor al Dios divino,
que las rosas alfombren tu camino
y de Cristo conserves la nobleza.




On Your Birthday

In the limpid sky of your day
an auroral reflection is kissing you.
Nature is dressed in joy!
All seems to be in harmony!
to greet your joyous birthday.

Everything before you is a sea of dreams
where the sun of Puerto Rico irradiates you.
Everything receives inspiration from heaven!
My lyre of singer in swift flight
reaches you to sing a hymn.

Today, you reach two years. How blessed you are!
Two years that leave ... never to return,
but they leave in me the lovely history
of the first lampos [?] of your glory,
which glow while celebrating your day.

Oh, my Judith, my loving daughter!
haven which erases my bitterness;
this encouragement, which in Lares you breathe,
reaches here to confront my life
because I feel your freshness as I breathe.

Since fate would have my destiny be
that on your day I could not kiss you,
I will pray fervently to divine God
that roses carpet your path
and that you retain Christ’s nobility.

-Miguel Angel Mercado

Saturday, February 6, 2010

A Hero's Journey - A Son of Slaves Sparks an International Religious Movement


In 1906, William Joseph Seymour, a pockmarked, half-blind son of former slaves, began a religious revival in a former stable in working class Los Angeles. Within two-and-a-half years, members of his multiracial Asuza Street mission had fanned out across the U.S. and 50 countries. By the end of the 20th century, this spiritual gold rush had converted Pentecostalism into a mainstream, even dominant, form of Christianity in many areas of the world. Today, with half a billion followers on all continents, Pentecostalism is the world’s fastest growing religion. Some scholars describe Pentecostalism as "the most important event in religious history since the Reformation."

Before I proceed, I want to disclose that, in speaking of Pentecostalism’s vertiginous rise, it is not as adherent. Though I am the daughter of Pentecostal ministers, I left the religion in my teens. If I sometimes sound admiring of what has happened globally to Pentecostalism, it is because I appreciate a fascinating story about how an ordinary black man changed the religious landscape and, by extension, the world. In so doing, he met one of the Encarta definitions of a hero: "somebody who is admired for outstanding qualities or achievements."




On Azusa Street, William Joseph Seymour inspired viable multiracial and socioeconomic fraternizing at a time when such a thing was unprecedented; indeed, criminalized. Though the revival began with poor blacks, it soon spanned the color, gender, and socioeconomic spectrum. Seekers from around the globe—European; Asian; American Hispanic, white and black; et al.—quickly converged on Asuza Street, lured by the riveting stories heard about Holy Spirit baptism, prophesying, and physical healing. Charwoman, business owner, and university president worshipped side by side, drawn to Asuza Street’s fiery revival, which many believed hearkened back to the earliest days of Christianity. And all this was led by an impoverished black man with limited educational and social resources, a man whose dying words would be “a plea for love among the brethren everywhere.”

Unfortunately, Asuza’s early bridging of racial divisions soon ran into rough weather. Its racially diverse worship devolved in less than five years into numerous Pentecostal sects, largely organized along racially segregated lines. It would take until the latter part of the 20th century for these divisions to start healing, and today Pentecostalism is one of the least segregated forms of Christianity. What seems undeniable is that, despite the racial and theological conflicts that emerged later, what many recognize today as Pentecostalism unleashed its global spiritual storm at Los Angeles' Asuza Street under the direction of William Joseph Seymour.



The remainder of this post can be read at my other blog, where I also discuss what Pentecostalism is, more about William Joseph Seymour and the Asuza Street mission, and my family’s involvement in the rise of Pentecostalism in the U.S. Scroll down to the fifth paragraph if you do not wish to reread the above.

Related Post: Music in Pentecostalism

Sources:

The Life and Ministry of William J. Seymour and a History of the Azusa Street Revival by Larry E. Martin, a Pentecostal minister.

Fire from Heaven: the Rise of Pentecostal Spirituality and the Reshaping of Religion in the Twenty-first Century by Harvey Cox, a Harvard University professor. One of the most interesting chapters in this book is the comparison of jazz and Pentecostalism. Professor Cox, a jazz musician but not a Pentecostal, found parallels in the birth, development, and style of both movements.

Another post in the A Hero's Journey series:

Nelson Mandela

Friday, November 13, 2009

The Family Business


The evangelical ministry was the Mercado-Santiago family "business." My mother and father were both ordained ministers. Two of my mother’s sisters entered the ministry. Another married a minister. My uncle's wife embraced the ministry, one of several in-laws to do so. Some of my cousins are currently ministers. Nothing pleased my parents more than that their church produced more than thirty ordained ministers who went on to lead their own congregations.

Given that, expectations were high that I would also be a minister or at least marry one. To my parents’ disappointment, I neither became a minister nor married one. In fact, I left their religion altogether. In the interest of full disclosure, though, I reveal that I “attended” their denomination's seminary in my early teens. My overprotective mother, averse to leaving me alone with potentially sinful influences, took me along while she attended seminary. As a consequence, I sat in on every single class of Biblical history and hermeneutics, often silently arguing with the professor.

Some might say I am still arguing. Believer or nonbeliever? On a given day, I might fall into either camp. What I am not, repeat not, is a proselytizer. There is no surer way to get my hackles up than to come up against someone who believes I must be Saved. Aware of just how unfathomable the nature of reality might be, I respect anybody’s nonviolent attempt to explain the meaning of existence, be it in spiritual or non-spiritual terms. Just don’t try to convert me.

There was a second family business, the words business, and that one I did join. I already posted How the Rediscovery of My Father’s Words Led to My Writing Fiction. In the course of his long ministry, my father wrote well over a thousand sermons. As relaxation, he also wrote poetry, some of which is still recited in various churches. After he died, we found a worksheet, complete with editing marks, on which he had been composing a poem about the challenges in the life of a minister. That tattered piece of paper, which I have framed, constitutes the sum total of my material inheritance. Then again, that peek into my father’s interior struggles added to the valuable emotional and wisdom inheritance I also received from him. Here’s the first verse. On my other blog, I have posted the full text.

Cuando a tus puertas llegue el desaliento
When discouragement shows up at your door

y la tristeza minar quiera tu vida
and sadness wants to undermine your life

recuerda del Señor, su buen ejemplo
remember the Lord’s good example

cuando la embarcación estaba pereciendo
when the vessel was about to capsize

serenó a la mar embravecida.
He calmed the tumultuous seas.


Rev. Miguel A. Mercado




Oh, I almost forgot. My father’s mother at one time was supposedly a Spiritualist medium. So, having been surrounded by religious leaders and also being a preacher’s kid, are you surprised that I write about people coming to terms with religion and spirituality?

Sunday, August 30, 2009

How The Rediscovery of My Father's Words Led To My Writing Fiction


If I haven’t yet summarized my novel Hidden Warriors, it’s because I’ve been afraid to read it again and find out it might be terrible. This was the first novel I ever wrote, birthed in a time of great upheaval in my life. I had walked away from my career the year before. My marriage had ended. My father died not long after. In retrospect, it's not surprising that I might try something new like writing fiction. How it actually happened though still amazes me.

After my father's death, I began transcribing his poetry, essays, and sermons to distribute them to family and friends. It was challenging work for several reasons. Many of the audio tapes were of abysmal quality. Despite that, his familiar voice still rose above the scratchiness, and I grieved that I would never again hear him speak directly to me. More than once, I almost abandoned the project, convinced I was only prolonging my grieving process.

As if that weren’t already challenging enough, my father’s sermons, essays, and poetry were all in Spanish, no longer my primary language. I found myself rummaging through my father’s huge unabridged dictionary, trying to find words no one used in ordinary language—at least I didn’t recall them—never sure whether I was even searching for the right word, given the awful quality of the tapes.

Several months later, having listened to the final tape and transcribed the last sermon, I sent out the material to family and friends. That was when I realized that, instead of prolonging my grieving process, my transcription project had actually eased my transition into a world where I could no longer pick up the phone to talk to my dad. That was not the only surprise. After my immersion into the Spanish language and my father’s poetry, I woke up one morning with the lines of an unfamiliar poem swirling in my head. I wrote down the poem and, for the next few months, found myself writing poetry in Spanish, something I’d never done before! And, no, I’ve not looked at those poems recently either for the same reason I haven’t dared to reread the last draft of my first novel. I’d rather keep alive the memory of how magical a time writing those poems and that novel was for me.

The period of writing poems in Spanish lasted about half a year. One morning, as surprising as when it first appeared, the impulse to write poetry vanished. Soon after, though, I found myself, again, waking up with material sloshing in my brain that seemed to want to be written down. So I did. That turned out to be the beginning of my novel Hidden Warriors, and, for the first time in my adult life, I felt I was exactly where I should be, writing novels. My writing craft has improved since then, and I have come to appreciate how the hard work of creating a novel involves taking that initial magical moment of inspiration and, through dogged hard work, transforming it into something in which story, characters, dialogue, conflict, and style cohere. I wonder, though, if any of my subsequent novels and short stories would have been written had I not undertaken transcribing my father’s work.

A brief note about Hidden Warriors. A businesswoman on the verge of being named CEO must track down her former husband, a globe-trotting photographer, to find out why she has received a mysterious emerald-like stone. Andrea and Luke Norman then have to confront their unresolved past, a quest that takes them to New Mexico, New York, Chicago, Brazil, and Peru.